So far as I know, the only places where Wittgenstein considers the expression itself to be what it expresses are aesthetic. A musical phrase, a bed of violets: such things may strongly give one the impression that they tell one something. What is it that they tell one? They tell one themselves, not something else.(from "Frege, Wittgenstein, and Platonism", p. 163 in the electronic version of From Plato to Wittgenstein: Essays by G. E. M. Anscombe).
Compare Schopenhauer's idea of all phenomenal things as embodied music (that perhaps sing or dance themselves), and Larkin's "The trees are coming into leaf/ Like something almost being said."
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