MEANING AND METHOD
Hans-Johann Glock
human beings are enabled to flourish in and through the exercise of rational powers only through education as paideia: the actualization of rational powers and the direction of preference and interest toward appropriate ends. Merely having a biological life and a lot of pleasant experiences is not sufficient for living well. Absent education as paideia, then, human life threatens to collapse back out of the rational-cultural and into the animal-instinctual. To flourish, we must learn from each other to engage in activities that support the actualization of rational powers.This is another:
If I can get students to pay attention — close attention — to the details and intricate coherences of, say, François Truffaut’s Day for Night or Frank Capra’s It Happened One Night, Jane Austen’s Pride and Prejudice or James Baldwin’s Another Country, Friedrich Hölderlin’s “Half of Life” or Rilke’s “An Archaic Torso of Apollo,” Plato’s Symposium or Kant’s Critique of Pure Reason, then, I think to myself, that’s something. There’s a chance that they will resonate to the insights and, more important, the powers of perception infused with thought that are manifest in these works. They might learn to see their lives, their social circumstances, and the currently obscure possibilities within them more clearly and with more hope. That would be something, and I am not quite ready to give up.And his conclusion is along these lines:
In any case, I will carry on, with such modest successes in paideia as I am able to manage. Within a general culture that no longer expects or appreciates paideia and within an institution that is shaped by that general culture, this will sadly remain difficult and often-enough fruitless work. The larger issue is the plight of liberal education, paideia, in an ongoing war between Deweyan-Rawlsian liberal democracy and neoliberalism, where neoliberalism is winning.I'm sympathetic to a lot of what he says, even if he sounds a bit like a grumpy old man (as I often do) when he brings up electronic dance music. But do I really agree that developing powers of perception is what higher education should mostly be about? Would I spend tens of thousands of dollars a year to send each of my children to university just for that? I think I would not, unless I had won millions on the lottery.
Treat someone as if she already recognizes a reason to have acted differently, and (given she has sufficient base-line respect or care for you) you may thereby cause her to come to recognize the reason.I'm speculating here, but maybe the idea is something like this. I tell my friend not to worry about her lateness since the time flew by as I waited for her because I was enjoying reading and rarely get a chunk of time like that in which to read; she is initially puzzled because she doesn't expect people to care about lateness, but realizes that I obviously take it to be something one might well care about; putting two and two together, she comes to see that even if she never minds when others are late, she had better be more careful with other people's time in future.
Students in every major are well advised to take a class or two in improvisational acting, creative writing, or drawing. Being proficient at writing code or any other technical skill will take you only so far in an evolving labor market.
Without creativity, good luck not being replaced by a less costly alternative.See the problem? A class or two in drawing will not make you creative. Perhaps it will make you more creative in some ways (though I doubt it--I imagine it would mostly a) make clear to you that you are not that great at drawing, and b) teach you some techniques to improve your drawing). But why on earth would anyone think it would make you more imaginative in a general or transferable way?